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For those of you in the Portland, Maine area, come by the Salt Institute for Documentary Studies on May 16 for the opening of our gallery show! “There from Here” will feature writing, radio, photography and multimedia work from this semester’s students, including yours truly!

Photograph by Liz Mak. Kimberly and her American Girl doll.
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For those of you in the Portland, Maine area, come by the Salt Institute for Documentary Studies on May 16 for the opening of our gallery show! “There from Here” will feature writing, radio, photography and multimedia work from this semester’s students, including yours truly!

Photograph by Liz Mak. Kimberly and her American Girl doll.

  • 3 weeks ago
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A Week In The Life: Week 9

Follow me each week while I study photography and multimedia at The Salt Institute for Documentary Studies. This week: Photography as poetry. 

I didn’t realize, before Salt, that photography is its own form of poetry. Because of my own inexperience and ignorance, I short-changed the whole medium, never able to connect to it as a fluent language, instead seeing it as a series of disjointed fragments.

No surprise then that reading a photo book proved a greater mystery, given my lack of photographic literacy. The past few weeks at Salt, then, have been one extended, persistent question:  What makes a photo book worth reading?
 
Richard Billingham’s collection of photos, “Ray’s A Laugh,” was one I couldn’t work out. Almost all the images within its pages are riddled with grain, and blurred photos are scattered throughout.  There’s one in particular of two dogs sitting on a couch, their faces indistinct from a too-long exposure.
 
“Why is this photo here?” I asked in class the other day, perplexed. “What makes it worth including?” The response, from Nelson, my photo instructor: Turn to the page before, and turn to the page after, he said. How do these images speak to each other? How do they relate?
 
The image before: a man and his son. The image after: the man and his son, throwing a tennis ball at his father’s unsuspecting face. “Do you see how it goes from one pair to another?” Nelson asked.

Read more at
salt.edu

  • 3 weeks ago
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Off Season

As the caretaker for a boys’ camp on Sebago Lake, Peter Powers works through the winter, long after the boys have left. In their absence, he begins to build a new life.

Produced at the Salt Institute for Documentary Studies © 2013.
Photos, audio, and production by Erika Lantz and Liz Mak

As seen on DownEast.com.

Source: vimeo.com

  • 1 month ago
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About

I'm a writer studying photography and multimedia at The Salt Institute for Documentary Studies. I'm interested in the intersection of multimedia storytelling, travel and social justice. Here's some of my work.





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All work appearing on lizmak.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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